RED
SIMULCAM
FOR VIRTUAL PRODUCTION
The BAI-LEY RED Simulcam is a supervised, on-set integration for productions shooting on RED KOMODO-X, V-RAPTOR [X], and V-RAPTOR XL [X].
It composites live RED plates with real-time CG so the director and crew see the finished frame while shooting.
Built for feature work, series, and live events where timing, framing, and performance depend on the final image.
RED Simulcam
Live 8K camera path with IP over SMPTE fibre and quad-link 12G-SDI
Tracked cameras feeding 6DoF and lens FIZ to Unreal Engine
Spectral keying and live grade for clean composites on set
Final-pixel or preview workflows, both timecode and genlock aligned
Key Specifications
Camera ingest
In-camera RAW record maintained
Parallel live path over ST 2110 with genlock and timecode
Return feeds and tally available
Transport and I/O
SMPTE ST 2110 media over IP
Quad-link 12G-SDI per 8K layer
Down-convert to single 12G-SDI for 4K monitoring where required
Tracking
6DoF camera pose with lens FIZ
Sub-pixel solve accuracy, timecode aligned
Export options include STMaps, point clouds, and FBX where applicable
Render
Unreal Engine outputs multi-layer 8K at up to 60p
Layers available as separate feeds: matte, garbage matte, foreground, background
Genlocked to camera timing
Keying and composite
Hardware 8K keying at up to 60p
Real-time spill management and edge fidelity
Program composite delivered as quad-link 12G-SDI or IP
Recording
Program master to ProRes 422 HQ or DNxHR at up to 8Kp60
Optional ISO of FG, BG, and mattes
Embedded timecode with sidecar metadata
Colour
Rec.709 or ACES show pipelines
Show LUT support with live grading
Monitoring
8K engineering on stage
4K control-room multiview and returns
Engineering scopes on request
Sync and compliance
PTP timing and genlock across the chain
SMPTE ST 2110, ST 2082, and ST 425-5 supported
Measured delay with per-show compensation and logging
Deliverables
8K program master ready for editorial
Optional isolated layers for safety and reuse
Per-take logs with timecode, tracking, lens, latency, and show LUT references
Editorial proxies on request
Use cases
In-Camera VFX
AI Filmmaking
On-location
Broadcast Virtual Studios
8K drama and high-end commercial work
Included
System integration, calibration, and supervised operation
Camera control and live colour pipeline setup
Tracking configuration and lens profile alignment
Unreal show project with render layers and timecode
Recording and media handoff
On-set training for camera, VFX, and video control teams
Remote support
Options
Preview-only package for direction and blocking
Final-pixel package with multi-layer record
Data and AI package with extended metadata exports compatible with .dave sidecars
Compatible Cameras
RED KOMODO-X
RED V-RAPTOR [X]
RED V-RAPTOR XL [X]
Pricing
Integration and supervised deployment. Request a quote.
Image: Rebecca Ferguson in Silo, Season II.
Exterior location sequences powered by BAI-LEY
Curtesy of Apple TV+